Myfanwy Williams / UK
My work is concerned with land and seascapes, and addresses the human condition, even though my paintings are rarely figurative. My work deals with issues that affect us all, such as climate change, politics, migration and travel. The sea often features in my paintings, because, as a child, I spent many months travelling around Africa by sea. I like to capture the movement of the waves against the background of the land. The interaction between the physical landscape and mankind is explored as a journey in my work.
Palimpsest often features in my paintings: the present is confronted by the past. My work often deals with memory and antiquity, and how everything is shaped by history. My visits to archaeological sites across Europe have had a strong influence on me.
Colourful expressionism is an important part of my art. I love to use the saturated colours of acrylic and oil, and work with rags to add texture to the paintings. I often work on wooden panels and add layers of marks and colour by working against the grain of the wood. Layers are continually applied and then worked away, as I respond to music, texts and photographs. As the paintings develop intuitively, so representation gives way to abstraction.
I grew up in Zambia, studied Classics and Education at St. Mary’s University in London, and later graduated from Sheffield Hallam University with a B.A. Honours in Fine Art. As teacher and artist, my interests have often overlapped. I have exhibited in many English and European cities, as can be seen in my CV on this website. My Sheffield studio is at Exchange Place, which is part of Yorkshire Artspace.
- Colored by the Past 11 Colored by the Past 11
- Distant Boundaries Distant Boundaries
- Journey Journey
- Mountain Sea 1 Mountain Sea 1
- Mountain Sea 2 Mountain Sea 2
- Shored Fragments Shored Fragments
- Violet Light Violet Light
- Storm Storm
- Transient Lines 1 Transient Lines 1
- Transient Lines 2 Transient Lines 2
- Twilight Twilight
- Winter Journey Winter Journey